It’s been a long few months, and quite honestly, my reading pace has been a bit slow. I’ve at this point read all of Charles Murray‘s books, none of which I plan to include in this roundup: I am wrapping up The Bell Curve presently. Murray, like Jordan Petersen and many of the other so-called villains of our time, are among some of my favorite contemporary personalities. Related, I’ve also been bingeing on Quillette, my now ultimate favorite literary site.
The hustle is real in my life, and I have lots of fly time in Q2 and Q3. I am excited to return to beautiful Sarajevo in June; as well as continue onto Tbilisi, then onto Wave Gotik Treffen… and if I survive the Choquequariao to Machu Picchu hike at the end of June, I’m sure there will be at least a handful of llama sacrifice photos to post from Inti Raymi in Cusco. I am blessed to have been born on traditional Swedish midsummer, among other things, as June 24 is full of bizarre celebrations around the world. So, turn 35, and then probably die on this hike. Can’t wait.
Blood and Vengeance: One Family’s Story of the War in Bosnia. I will probably never stop reading Bosnia books. I have certainly not stopped watching Balkans documentaries and films; clearly weeks in the region has done nothing to quell my infatuation. This story is long and complex; it takes place in a small village near Višegrad, and ends as many do in Srebrenica. These stories are never boring because they are all so different and have so many individual histories interwoven throughout. The author is talented and writes with a lot of passion (he is also married to a Serb), but it takes a long time to read (this is not a detriment). Good review in The Independent here.
The Future Is History: How Totalitarianism Reclaimed Russia. This is one of the best books I’ve read in the last year. It reminded me to some degree of another very long book of which I have only scratched the surface, Children of the Arbat, only in the way there are many different characters built out and they proceed in their lives and in the time they’re constructed in many different directions. The Future is History is essentially a run-down of 90s Russia, and how Putin’s rise affected people at different levels of society (with those people skewed toward people connected to some prominent figures of the time). The way the book is constructed allows you to amass pretty detailed portraits of each of them, which made it impossible to stop reading. New York Times review (written by Francis Fukuyama, interesting) here.
My Struggle: Book 4. I’m losing a bit of interest in Karl Ove’s endless autobiography. Perhaps the point of this exercise is that I’ve come to realize as I like myself more as I have aged, I also like other people more as they have aged, and at the points in this sweeping tale where he is an adult, I tend to find him less boring and more existentially explosive. That said, I think one of the qualities of this series is intended to be boredom, as anyone’s life when deconstructed into tiny subjugates is actually really tedious and even more irrelevant. Book 4 is mostly about him teaching in northern Norway and trying to get laid, beset by premature ejaculation, overdrinking and the awkwardness that looms over his head for what seems like his entire existence (this is true for virtually all Norwegians, they are born awkward and die awkward… it’s part of their charm). I’m a few chapters into Book 5 now, and am charmed thus far by his return to Bergen. New York Times review here (the reviewer was more impressed than I was by this book, though I think ‘airy’ is a good description).
Book 1 blew me away, and I enjoyed Book 2 as well; I have every intention to complete the series in my waking moments on airplanes, when I am not actually reading or sleeping to Mary Beard’s SPQR, which is so incredible that after listening to the audiobook while conscious, I now turn it on to sleep to… the woman narrator is like the British grandmother I never had. I chose to listen to My Struggle on audiobook, and I cannot say enough incredible things about Edoardo Ballerini’s reading of this massive volume. It is perfect. As an aside, I’ve always struggled with audiobooks; I am much more of an actual reader, but I’ve had some incredibly good experiences, and the $10 a month or whatever I pay Audible subscription has been a really great deal.
Selfie: How We Became So Self-Obsessed and What It’s Doing to Us. I found this book to be a little dry and neverending, but it was an interesting (and especially historical) take on the narcissism epidemic afflicting virtually everyone on social media… but much moreso, it is about the origins of the idea of self esteem, perfectionism, etc. A lot of the history and anecdotes in this book were completely new to me, and aside from the sections on philosophy and early Western thought, I was pretty unfamiliar with the rest of this content. A lot of these kinds of critiques tell the same stories in different ways; this one is not like the others. Two links for this, first a review, and second an interview with the author in Quillette.
In Extremis: The Life and Death of the War Correspondent Marie Colvin. I loved this book, this story, this woman, despite the fact that her idealism eventually resulted in her death in Homs. I also saw the movie, A Private War, which was good, though it omitted quite a lot (like her hiking over the mountains out of Chechnya, huffing and puffing from an adulthood of chain smoking, what a badass). I have always admired war reporters: you have to be a special kind of fucked up to be one, and their stories and lives are always both interesting and tragic. Colvin was no different. This women was beloved by Yasser Arafat; Muammar Gaddafi; quite a few other inaccessible and often evil people. She earned peoples’ trust and it was likely because she was genuine. She was a real person, and she maintained that real-ness until the day she died.
Side note, I watched a film recently called Single Frame about a man from Texas who happens upon a photo of a young boy taken during the Kosovo war in the late 90s, and the film is about him tracking down the boy. He meets a man at a cafe while in Kosovo, who tells him pretty gruffly that essentially to give a shit about some boy in a photograph is such an American thing, that it’s a privilege to have a life so nice you can care about a stranger you see in a photo somewhere and have the resources (not to mention the emotional space, the stability in your own life) to track him down. I think this is the kind of thing Americans don’t want to hear… it is so true. Westerners give a shit because we are safe, and that’s the only reason we are able to do so. With that said, this kind of Western concern is not a detriment to the world, and has likely saved millions of lives. These war reporters are no different, and many of them have risked their own prosperous lives in stable countries to carry concerns of the less fortunate. Colvin was the perfect combination of interesting-tragic, long tormented by the death of her father, heavy drinker and likely anorexic, terrible man-picker, brooding with passion and courage. She lived hard and she died early and she’d probably do it all over again… which makes the story of her life (and death) worth a read and a watch.
Bowling Alone. I can’t believe I had never read this before. I also thought it had been made into a documentary, which it has not been. I’m not sure any of the content was a surprise to me: it is very much about civic engagement’s decline over time, and ultimately it seems as though television and the internet are very much to blame, which I suppose makes sense. There is no sign of this turning around, and it is likely to only get worse; I would recommend The Big Sort over Bowling Alone, but I think both these books are thought provoking. Wikipedia article on the book here.
Salt on Your Tongue: Women and The Sea. Let’s close with a book I really was not a fan of at all. I had high hopes after reading a very positive Economist review… which was a reminder I shouldn’t believe every (review) I read. I found this short book dreadfully boring and filled with only the most widely known mythological anecdotes. The review is quite honestly better than the book… boo hiss. I hate admitting I don’t like I book; this is the first one I’ve read in a long time I thoroughly did not enjoy.
Sometime this week I’ll follow up with random shit I’ve been watching on Netflix/etc.