Seasonal Quartet: Spring

I cracked open the first book of Elena Ferrante’s Neapolitan Novels yesterday, and found myself 8 hours later deep into Karl Ove Knausgård’s Spring. I bought these four short audiobooks last spring after concluding the years-long experience of listening to My Struggle via Audible: roughly 134 hours in totality. I bought them because that long in anyone else’s life provokes some level of attachment, despite the many parts of the My Struggle series I found tedious, boring or cringeworthy: those countless passages were well worth the sacrifice for the time I listened, wide-eyed, on a long flight… or sat straight up in bed, wide awake and mind-blown by some of his most beautiful diatribes. His talent, his failures, his sometimes pathetic nature, his selfishness and his brutal honesty combined makes his books a tremendous gift to the modern world.

After reading about the books, I decided to not read them in order; last night, I wanted something real… a story, not a series of essays.

I began with Spring, which chronicles a short period of his (now ex-) wife’s worsening bipolar disorder and her being institutionalized for a period of time. Spring contains all the grotesque triviality of their life together, and is filled with countless human flaws and the many tangents that are central to his style. He is speaking throughout these books to his youngest daughter. I’ve always been enamored by the coincidence of other books and films in my queue appearing in his writing–he goes on at length in Spring about Ingmar Bergman; about he and Linda watching Scenes from a Marriage en route to Australia (probably my favorite Bergman film, one I just watched for the probably 100th time two weeks ago). He mentions The Best Intentions (Bergman wrote the screenplay), and its follow-up Sunday’s Children, which I finally found through the Criterion Channel last week and is on my watch list (the last film in the kinda-sorta series, Faithless, is another long-time favorite of mine).

He quotes Turgenev’s Fathers and Sons, which is probably the next audiobook I will dig into after this Quartet (I bought ~10 Russian classics I had yet to read last spring, Fathers and Sons was one of them). He also mentions Jens Bjørneboe and his History of Bestiality trilogy, all three books of which are in my winter reading pile.

I often feel my interests are so scattered and random that they fail to fit together in any concise way; KOK ties a lot of things I love together in his own life and mind. Despite his awkward chaos, the varied items living in his mind in harmony are comforting to me… the authenticity he idealizes in others (Scenes from a Marriage, he mentions and I agree, is so timeless because it is so authentic and so human) and exudes through his own work makes my own life seem more real to me, and even easier to tie together into one set of one person’s experiences. These five hours listening to Spring were time well spent.

The audiobooks are 4-5 hours long a piece, read as per usual by Edoardo Ballerini, whose voice is so perfectly fit for all of Karl Ove’s books. Autumn is next for me.

Viva Emptiness

Last time I posted was 10 weeks ago, and I was preparing to move into a huge house down the street and begin another stage of my life. Somewhat bewilderingly, I find myself here and now moved back into my former abode (I moved out, got completely settled in, and then moved again… fun). Some of my former aspirations have been dwindling for some time (weeks, if not months), so I feel less devastated than I expected. If I’m being completely honest, I don’t feel a whole lot of anything these days other than a stubborn enduring to keep myself occupied churning out anything worth something.

I’ve thought often of the book Alone, by Richard E. Byrd, chronicling 6 months alone in a bunker in Antarctica, and if another lockdown comes (almost guaranteed at this point), I don’t imagine I’ll feel too differently. I at least have a cute dog and the Internet, amirite? I quietly entertained myself this summer and slowly tucked money away, which turned out saving my skin during this most recent set of unforeseen circumstances. The truth is, I find I’ve become a person who amasses more strength and calm after every hardship; as Albert Camus wrote, “blessed are the hearts that can bend; they shall never be broken.” Is it that, though? Or are people like rubber bands, stretching and stretching, becoming ever more brittle over time before their inevitable snaps?

I’m pretty committed to personal growth and enjoy learning things (even hard lessons), and this moving and moving again drama has been a difficult situation for me because I don’t feel I caused this very unexpected outcome in any way whatsoever. Where I find other people wanting to deflect blame, it’s always seemed easier to me to accept responsibility and move on.

I am, at least, moving on. Again I find myself fortunate to have a nice house to move back into; the wherewithal to negotiate out of an expensive and lengthy lease; and a strong sense of resilience punctuated by already-tepid expectations of people (and life, to a somewhat lesser extent). I’ve also ducked yet another round of layoffs at my company; I’ve switched teams and regional hubs.  Perhaps most importantly, or at least top of mind during the holidays, I haven’t seen my parents, brother or any of my out-of-state friends in soon to be one year. Hell, I’ve barely seen my in-state friends in the past year; and I know many people are in the same boat. I still remain pretty overwhelmed with gratitude for how nice my life is, even when it sucks, too. Shit has been a lot worse for me, and I won’t ever forget that. That said, when it rains it pours, that’s for sure.

And so I’ve begun my winter reading marathon. I’m still moving a bit slowly due to work and life, and I’ve had more of a hankering for fiction than non-, so there will be a pretty solid mix in the months to come. The skills I’ve acquired over the summer remodeling will suit me well as I slowly patch all the earthquake cracks in the walls of this house. My survival strategy is to channel my frustration into making things beautiful/better, and it’s this house’s turn to receive its dividend. 

I’ve never been much of a holiday person, but seeing as how I will be spending the upcoming ones alone, I figure as the winter drags on I should figure out how else to healthily entertain myself (the pantry is already stocked with wine and gin, for less-healthy entertainment purposes). I’ve contemplated beginning to write in a real journal again… not quite sure I’m there yet, but I have sent a few cards to friends whose faces I haven’t seen in what feels like forever. Nearly a year after last returning to New Jersey and New York, I miss it, the feeling of having a foot in each world. My feet have been immersed in Alaska all summer, and lately, a shitload of snow. Watching the incredibly cheesy Smithsonian special Ice Airport Alaska, a guy on the show mentioned that there are two kinds of people who live up here: those who love winter and those who don’t, and the latter should probably leave. I’m inclined to agree… this winter will likely be a long, cold one. 

As someone who spent a lot of time flying for hang-time with friends prior to this pandemic, I’d say a lot has changed for me. I wonder why I’m not faring worse, or if I am and it’s just bubbling under the surface and I can’t feel it yet. More likely, my life has been so chaotic and unpredictable over its duration that I simply feel there’s no alternative to pressing on and making the best of all of this. As I told my work team recently (we do a lot of psychometric stuff), my #1 Strengthsfinder is Context, and I think a lot about the much worse things others have been through in the past: I told my manager recently that when I think about how hard life is for me/us all currently, I immediately feel that it could be worse: I could be hammering railroad spikes in Siberia at -60 in felt slippers. All of the morbid literature I’ve read over my life has paved a reasonably smooth road through 2020.

I feel for people who are deeply hurting after all these months; or the people who, in ignoring it due to COVID fatigue, will get sick. People who are developing real depression and anxiety. People without health insurance. Me, I’ve been alone for a long time, and it doesn’t look like that will change anytime soon. I graduated from the Acceptance stage on this one many years ago.

And so, let’s close out November with a few recent reads:

The Erratics: A Memoir | This memoir of return trips home to Alberta to deal with the author’s narcissistic whacko mother and starving, despairing father made for a grim but wonderful tale that will definitely hit home with anyone who has a screwed up family (possibly anyone who has to deal with ailing parents and the squabbles that come with). The winter weather and the dread made it all the more appropriate for this time of year in Alaska. NY Times review here.

Eat the Buddha: Life and Death in a Tibetan Town | This book has been all over the internet lately, often with a lot of praise. Part of the reason is due to there not being a whole lot of visibility into Tibet (thanks China). I actually found the human interest stories throughout to be below my expectations based on what I had read online, though it gets progressively better (especially when you get into self-immolation). The Tibetans have been fighting China for a long time, as many marginalized people have been fighting their evil Communist overlords for decades; a lot of this book seemed somewhat tame compared to most of the stuff I read, and perhaps that’s why it lacked the gut-punch its given to many others. I would go so far as to say I was even discouraged having bought two of her books at once, though amassing this information and the set of experiences that led her to write this is pretty amazing considering how tightly China controls this fledgling territory. Much more positive NY Times review here.

Logavina Street: Life and Death in a Sarajevo Neighborhood | Eat the Buddha ended up letting me down, but Logavina Street was far beyond what I expected could be fit in 250 or so pages. I further was skeptical about how well anyone can explain much of what happened there in any cohesive way. I love the way this book is constructed, detailing the lives of the families who live on one street in Sarajevo through the four-year siege. There is a lot of explanation in here without too much confusion, and she manages to wrap it all in the complete identity crisis that was suffered individually and collectively during this war. She touches on the UN’s failure in Srebrenica and Žepa; the partitioning in the Dayton Accords; the complex circumstances that beset Sarajevo’s ethnically mixed populace. You can go in a lot of directions with the war; it remains overwhelmingly complex to most. Unfortunately she draws the same conclusion I’ve come to myself after many years deep-diving through Bosnia’s history and people… that another war, someday, is a likely outcome. While I wouldn’t rank this among my favorite books on the topic, I’d pass this first to anyone who wanted to learn more in simplistic terms (I would also pass along a copy of Sarajevo Daily, which she cited in this book). This was a really spectacular read, even for someone who has read 382398723842384 books about the Balkans already. LA Times review here.

My next read will occupy December and beyond… I’m diving into The Neapolitan Novels, which have apparently been turned into an HBO series.